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I must mention he was not predominantly homosexual he drew a lot of women too. Schiele was for some time under arrest for making too erotic work, but he did not live to experience the brunt of repression. In the early years there was still room for modernist influences:Įgon Schiele and Fritz Wotruba were prime examples of the modernist school thriving early 20th century in Vienna Not all artists drew from the classisistic traditions. That was allowed to spread all over the emerging "Deutsches Reich" during the Weimar republic. Luckily a lot of examples remain that radiate the freedom of expression,īut also the naivety and belief in the perfect democracy, Hans Zank, * 1889 Berlin † 1967 Falkensee I hope I managed to get some impression on what life was like in those intriguing days. Much has been destroyed and I have to resort a lot to remaining (black and white) photographs. This page tries to steer clear of judgements but does try to point out that the traditional uninhibited way the Germans looked at bodyculture and the way they used it in raising their youth in exploring comradship, nature and sports had a lot of beauty and was laden with what we could see as pretty homo-erotic signals. At first tolerance was assimilated, but after the collapse of the Weimar republic repession fell in from all directions. Power shifted to much stricter, more military Prussia and Berlin. At the turn of the century we find a very tolerant society, radiating from Wien, capital of the collapsing Central European empire, and München, still rich with centuries old feodal-agricultural structures. German homo erotic art first half 20th centuryĪ period that is very hard to document is that of Germany, or central Europe, before the second world war.